Experimental animation often employs metamorphosis and incorporates visual metaphors as strategies to explore concepts such as the cycle of historical trauma, thereby contributing to the transmission of collective memories related to colonialism, apartheid, and war. (Stewart 2024, 7). These transformations not only signify external historical ruptures but also mirror internal emotional upheavals. In this context, the body emerges as a crucial site of expression, metaphorically becoming a space through which the intensity of emotion can be measured (Kövecses 2000, 24). This provides a solid theoretical basis for using the body to express abstract traumatic emotions in experimental animation.
Read MoreFlee (Jonas Poher Rasmussen, 2021) is an animated documentary that explores the nature of memory and trauma by taking the viewer on an emotional journey. It uses animation to present the memories of Amin Nawabi, an Afghan refugee credited under a pseudonym. Encouraged by his anonymity, he tells director Jonas Poher Rasmussen his story (Grobar 2021).
Read MoreIn many ways, 2020 is a year marked by many different intertwined sources of grief: all the different kinds of loss associated with a global pandemic and its effect on daily lives; the political and economic situations that have forced a reckoning with an acknowledgement of a loss of idealism – that maybe we aren’t, and never have been, the enlightened society we (the Western European and North America, the Anglophone West in particular) have considered ourselves to be.
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